Exeter Chess Club: The Italian Game for beginners.pdf
This is an updated and expanded version of a booklet first written in 1994. The major change is the conversion of the ‘example games’ section to a much larger ‘ideas and traps’ section.
Table of contents:
- Introduction [ The trouble with the Giuoco Piano (is the Giuoco Pianissimo) ]
- Basic ideas in the Italian Game [ All the basic ideas: White,R - Al Marif,S [C51 Evans' Gambit] (London LB), 1990 ]
- Ideas mainly for White [ Develop rapidly and take over the centre ~The raid with central pawns: Boleslavsky - Scitov [C54 Giuoco Piano] (Moscow) 1933 ~The raid with central pawns: Morphy,Paul - Laroche,H [Evans' Gambit, C52] Paris, 1859 ~The raid with central pawns: Morphy,Paul(bl sim) - Cunningham [Giuoco Piano, C54] London, 1859 ~Central advantage: Bastian,Herbert - Eng,Holger (10) [Giuoco Piano, C54] Bad Neuenahr ch-DE, 1984 ~Catch the Black King in the middle ~The King caught in the middle (and Central advantage): Morphy - Hampton, H [Evans' Gambit, C52] (London) 1858 ~King caught in the middle: Fischer - Fine RH [Evans' Gambit, C52] (New York) 1963 ~ King caught in the middle: Anderssen,Adolf - Dufresne,J [Evans' Gambit, C52] Berlin ‘Evergreen’, 1852 ~ King caught in the middle: Romero Holmes,Alfonse - Estremera Panos,Serg [Giuoco Piano, C54] Leon, 1989 ~ The King’s-side attack ~ King’s-side attack: Morphy,Paul - Amateur [Giuoco Piano, C51] London, 1858 ~ Littlewood - Paish (Blindfold)1993 ~ King’s-side attack: Euwe,Max - O’Hanlon,John [Giuoco Piano, C54] Hastings, 1919 ~The Fried Liver raid: Morphy,Paul(bl sim) - Forde,A [Evans' Gambit, C52] New Orleans, 1858 ~ The Queen’s-side attack ~ Move to the Queen’s-side: Szecsi - Szarka [Giuoco Piano, C54] cr, 1987 ]
- Ideas for Black [ Hit back with ...d5 ~ Black hits back with ...d5: Marache,N - Morphy,Paul [Evans' Gambit, C52] New York, 1857 ~ Black hits back with …d5: Treiber,Timo - Kurz,Ralf (07) [Giuoco Piano, C54] Baden Baden, 1990 ~ Catch the White King in the middle ~ Black catches the King in the middle: Noa,Josef - Kopylov [Evans' Gambit, C52] Leningrad, 1937 ~ Counterattack on the White King’s-side ~ Black’s King’s-side counterattack: Mongredien,A - Morphy,Paul (07) [Evans' Gambit, C52] Paris m, 1859 ~ Black’s King’s-side counterattack: Saint Amant - Morphy,Paul [Giuoco Piano, C54] Paris, 1858 ~ Black’s chances in the endgame ~ Black’s endgame chances: Hammond,G - Morphy,Paul [Giuoco Piano, C54] New York, 1857 ~ Some traps in the Italian Game ~ A poor line for White in the Closed Variation of the Giuoco Piano ~ Another trap in the Closed Variation of the Giuoco Piano ~ Trap in the Main Line of the Giuoco Piano with 6. O-O ~ Trap in the Main Line of the Giuoco Piano with 6. O-O ~ Trap in the Main Line of the Giuoco Piano with 6. O-O ~ Trap in the Main Line of the Giuoco Piano with 6. cxd4 ~ Trap in the Moller Attack ~ Bernstein’s Trap in the Moller Attack ]
- Some Variations in the Italian Game [ Main line Guioco Piano 4. c3 [ Risky main line 7. Nc3 ~ Safe main line 7. Bd2 ~ The closed variation 4...Bb6 ]
- Evans’ Gambit 4. b4 [ Evans' Gambit Declined (4...Bb6) ~ Evans' Gambit Accepted (4...Bxb4) ~ Kasparov, Gary-Anand, Viswanathan, Riga 1993 ]
- Appendix 1. Why is it called “Italian”?
- Appendix 2. Oh, if you must… some ideas for playing the Giuoco Pianissimo [ Regis (Exeter) - Orpwood (Salford), 1987 ~ A trap in the Giuoco Pianissimo ~ Another trap in the Giuoco Pianissimo ~ One more trap in the Giuoco Pianissimo ~ Example Game in the Giuoco Pianissimo: Chambers-Vorhees (Dayton, Ohio) 1972 ]
develop your other pieces rapidly, bring your King’s Rook to e1. If you have a lead in development, break open lines to get at the Black position keep the opponent’s pieces from settling with central pawn stabs. Usually we say, don’t make time-wasting pawn moves, like h2-h3. But if you play e4-e5 attacking a Knight on f6, the Knight has to move, and so you haven’t given Black a chance to catch up in development, and you may have dislodged an important defender. It’s odd that, because Pawns are worth the least, nothing can resist their attacks!
try and catch the opponent’s King in the middle, or, if it escapes by castling, attack on the King’sside.. Usually, only the Evans’ Gambit and Moller Attack in the Giuoco Piano are fast enough to catch the King in the middle.
if your attack doesn’t come about, fast development and siezing the central files may give you an advantage in the endgame Because the basic layout is similar for both sides, some of these ideas also apply to playing Black: in addition Black should strive for:
rapid development
castle into safety
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Please u send me E Book C51.
Thanks
Hi
Please u send me E Book The Italian Game for beginners.pdf
Thanks
Please u send me E Book C51.
Thanks